Reviews

Typographic street artist and designer Peter Greco has spent his entire adult life learning the mastery of communication through language and lettering. His artwork celebrates the centuries old tradition of the art of calligraphy and the fascinating world of typography while paying homage to the many different cultures that have kept this tradition alive. He has shown all over the country, but based out of Los Angeles and teaching at Art Center College of Design, his artwork rarely makes it past the orange curtain. His...

[caption id="attachment_6776" align="aligncenter" width="650"] Matt Maust, Dum Vacation, 2016, detail images[/caption] The worlds of rock music and fine art have long traded personnel back and forth, from John Lennon dropping out of art school to make music as one of the Beatles to Captain Beefheart dropping out of music to make paintings as Don Van Vliet. Devo’s Mark Mothersbaugh, whose solo show at the Akron Museum of Art just ended, is a more recent exemplar of the creative spirit who is able to walk in both...

[caption id="attachment_6756" align="aligncenter" width="545"] Rainbow Watercolor by Bumblebeelovesyou[/caption]   When I first visited DAX gallery for its opening in 2013 owner Alex Amador had big plans for the Costa Mesa space that would bring fine urban art to Orange County. Over the past few years, in part due to how hard it can be to maintain a gallery, DAX has shuffled around some of its original aspirations. I was curious to see what the gallery was up to when I met with  curator Alec Van Sealund for the August...

Local artists Alyssa Arney and Liz Flynn are very aware of the superficial nature of Southern California, where beauty is valued over health, and the constant presence of advertising is louder, brighter, and more attractive than honesty. Finding their way, separately, toward fiber arts, was an important journey for each artist, but finding their way toward each other, and creating an open dialogue with their community, other women, and internally, has fueled their artwork and their collaboration with meaning, purpose, and passion. Their collaborative exhibit, “Pleasure Objects,” curated...

The Orange Coast Review is Orange Coast College's literary journal. The current issue (which I art directed) contains sixteen pages of art from mostly local artists working in various media, including works by Bradford Salamon, Lindsay Buchman, Pamela Diaz Martinez, Nguyen Ly and Riley Waite, who is represented by two pieces from his Playing With Fire series of portraits of young heroin addicts drawn with candle soot on paper. The cover painting by Fatima Jamil combines traditional realism with contemporary abstraction. A reading from the journal...

“SUCCESSIONS” OPENING: April 2, 2016 Jamie Brooks Fine Art 2967 Randolph Avenue Unit C, Costa Mesa, CA 92626 949-929-4143 What is better than an artist’s fresh, brand new, and stimulating paintings? It is seeing David Michael Lee’s 15 year retrospective “Successions”. In this expanse of time, Lee, through his daring and personal exploration of accepted painterly elements, broadens our understanding of artistic possibilities. From graduate school to the present, the groupings of work encompass the artist’s thought processes and perseverance, and how he tackles each problem with zest. Yet, noteworthy...

Red, by John Logan, is a play about the business of being an artist — the commissions, the professional jealousies, the rivalries between generations and the physical and mental act of putting paint to canvas. Originally staged in London in 2009 and now at South Coast Repertory through February 21, the play features Mark Harelik as the painter Mark Rothko — at the height of his success in 1958, newly commissioned to paint a series of murals for the Four Seasons Restaurant at Manhattan's Seagram Building...

Written by: Roberta Carasso The selection of work by artists – Arno Kortschot, Connie Goldman, and Gary Petersen – is a look into the dimensions artists develop to express formal and spatial ideas – fully dimensional, the suggestion of dimension, and the illusion of dimensionality on a flat canvas. Also, because the art is intermixed, one artist’s work hung near another artist’s work, the viewer is given an additional opportunity to contemplate far more spatial and formal possibilities had the art been compartmentalized artist by artist....

By Roberta Carasso Artists deal with human issue just like everyone else, except, being visually-minded, they make their thoughts accessible to all who can appreciate their meaning. Katie Stubblefield is drawn to that moment when things shift, the cliff hangers of life when events suddenly are no longer the same. Working with various artistic disciplines, her metaphors embrace imagery inversion from methods of horizontal and vertical processes. The final canvas captures a movement with no direct destination, a sense of uncertainty. Tom Dowling observes that when...

Every arts district needs a Bavarian beer hall serving fancy Old World weiners. Downtown Los Angeles has Wurstküche, San Diego's Gaslamp has the sausage fest known as Sausage Fest, and now, on Santa Ana's Fourth Street, with a soft opening through March, comes Wursthaus. Some kinks are still being worked out, but the food is worth engaging. Order at the front counter — try the smoked cheddar bratwurst on a pretzel bun or go exotic with the hickory smoked wild boar — then look for the...

In the sculptural work of Portuguese artist Miguel Palma, a cast concrete block might mark the open page of a favorite book. A half-finished Erector set model of the Eiffel Tower might appear alongside a 19th century photograph of the real Eiffel Tower at a similar stage in its construction. Engineering, architecture, history and even biomechanics all provide stimuli for the artist’s toylike imagination. Currently wrapping up a three month residency at 18th Street Arts Center in Santa Monica, the Lisbon-based artist's recent focus is on...

[caption id="attachment_6055" align="alignleft" width="349"] Pamela Diaz Martinez  |   Holy Spirit - II  |  Pastel on dura-lar[/caption] The physicist Carlo Rovelli mentioned in an interview recently that religion was a subject of interest to science but only out of respect for the religious as a group and very little scientific study has been dedicated to finding out the wellspring for a belief in “God” specifically. This aversion to exploring the subject of faith in a manner that approaches a possible "source" is not as lacking in fine art...

A to Z Featuring: Craig Antrim Casper Brindle Christopher Georgesco Donald Karwelis Eric Zammitt For galleries, presentation is paramount. The alchemy of impeccable lighting, thoughtful curating and an intimate knowledge of the artist's process combined with behind-the-scenes sweat and elbow grease can transform even the most humble space into a cathedral. For this reason, it is often times the smaller galleries that can be the most inspiring. Tucked away into the end corner of a small row of shops along Old Newport Blvd, the Brett Rubbico Gallery is quietly putting together some...

Late summer is hardly peak season in the art world: Schools are out of session and gallery owners are on vacation. If art is being seen, it’s most likely at one of the outdoor festivals at the foot of Laguna Canyon Road or in the art competitions at the local county fair. Obviously nobody wants to be indoors when it’s 90 degrees, but there are a few shows ending soon that will make a quick venture indoors a worthwhile endeavor. [caption id="attachment_5974" align="alignright" width="135"] A.M. Rousseau,...

illustration by Jared Millar (after Alfred Lutjeans) Museums these days are in the content creation space: From MOCAtv to the obligatory museum blog to the iPad apps put out by the Metropolitan Museum of Art — for better or worse, it’s about more than just publishing a scholarly catalog with a section of color-printed plates. Lately the Laguna Art Museum has entered the multimedia fray with a series of documentary films by Dale Schierholt entitled “California Masters.” The first of these, “Tony DeLap: A Unique Perspective,”...

I know a concert was good when every time I try to sit down and write my review of it, I get distracted by composing music myself instead. This was most gloriously true of the Children of Bodom concert at the Observatory in Santa Ana on March 2, supported by Tyr and Death Angel. Even though I love the word, I reserve it only for special occasions like this one- fuck… Children of Bodom were so fucking good. That does sum it up, but I...

An MFA exhibit currently on view at Cal State Fullerton installs a fantastical world of imagination in the campus' West Gallery, but like a wonderland apparition it's only up for a few days, so if you'd like to see it in person you'll have to visit soon! Tiffany Ma, who over the past few years has been involved with feminist collective performance art as part of the "Guerrila Gowns" project and was in the recent "Rage Bear" show at downtown Santa Ana's GCAC, studied photography...

It is common enough to be considered a universal experience, taking place within the realms of childhood, that when the sun goes down the imagination has full reign. The shadows that exist in closets or under the bed become dense, so much so that anything a little person could possibly imagine could exist within them. Eventually our brains become trained through experience that nothing need exist out of nothing and that the world provides us plenty to think about without the aid of our imaginations....

The second wave feminists of the 1960s famously coined the phrase "the personal is political". This is true of a vast number of issues, yet often times the very personal impact of political policies gets lost in the furious debates about fiscal impacts of laws or the hypothetical scenarios debated on television talk shows. At a time when immigration issues are hotly debated topic in United States politics, art can be a powerful tool that helps us connect to the personal stories within this multifaceted...

Surreal, dream-like images inhabited by the solemn countenances of people from a bygone era, set in fantastical landscapes and surrounded by a strange assortment of animals, an arc of bees or random objects; these are the magical images of Maggie Taylor. Taylor creates astonishingly complex digital collages combining original photographs, 19th century daguerreotypes, scanned objects and vintage etchings, to produce imaginative and mysterious photographs. [caption id="attachment_5429" align="aligncenter" width="436"] The Nest[/caption] Walking through the Joanne Artman Gallery in Laguna Beach where her work is currently on display, the...